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Steve Moakler at Musician’s Corner in Nasvhille, TN [SHOW/NEW MUSIC]

  • 05/21/12
  • Steve Harpine
  • · Album Reviews · Art · Beat-Play, LLC · concert · Events · Independent Labels · Independent Music · Music · music industry · Music News · Nashville · New Music · Top Posts · Uncategorized · Video

It’s summer time in Nashville, which is probably my favorite time of the year in Music City.  There are plenty of places to cool off, especially if you can find the rumored beach in Nashville, which I discovered only a few weeks ago.  However, if you’d like to cool off in the sense that you just need a day to relax and kick it with some of the town’s best local artists, you’re in luck.  Musician’s Corner is back for another summer of live music in Centennial Park, with an excellent lineup to look forward to each week on Saturday afternoon.  This week, after some spotty showers and thunderstorms, the heavens opened up and graced the park with a perfect afternoon of music, starting with Steve Moakler.  Steve started things off with two original songs that immediately caught the attention of the crowd.  It’s not hard to see why, especially since two of his songs were recently featured on the “October Baby” soundtrack.  Last week, Moakler shot a one-take video of on of those songs, “Hesitate,” in his living room with a couple friends.


Steve moved to Nashville years ago from Pittsburg, PA.  Since the change of scenery and slight culture shock, Moakler has already released two full-length albums after previously releasing two EPs; The Weight of Words (2007) and Like I Mean It (2008).  In 2009, Moakler released his first album, titled All The Faint Lights.  The title track was the second song included on the “October Baby” soundtrack, along with “Hesitate.”  His new record, Watching Time Run, dropped on August 30, 2011 and is already one of my favorite pop albums of the year.  Seriously, Moakler’s mature songwriting combined with his intuitive sense of melody and groove are just a few of the strengths you’ll hear throughout the album.  Just check out the first track from Watching Time Run, titled “Waiting.”


There’s no doubt about it.  Steve Moakler has a gift, and as a 23-year old artist in Nashville, I foresee some exciting opportunities in his near future.  “I love being a part of the singer/songwriter tradition because it’s timeless, authentic, and vulnerable.” Steve declares, “The connection is personal, and my goal is to use that connection to point towards truth.”  That’s another thing.  He’s not only an emerging artist, but also an entrepreneur.  In 2011, Moakler founded Free The Birds, an organization that funds freedom and restoration for women and children who have been exploited by human sex trafficking.  Learn more about his story by watching the video below.


I’ve written over 100 articles for Music Without Labels since last summer, and I think this is the first time I’ve come across an artist at this level who is investing in something else besides his or her career.  If you like new artists, then you may know that most of the ones that are successful have a story.  Free The Birds is Steve Moakler’s story, and he just happens to write killer songs in the process.  Get the rest of his new album, Watching Time Run, by clicking on the album art below.

By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play & Music Without Labels, LLC

Yann Tiersen live at The Regency Ballroom in San Francisco, CA [PHOTOS]

  • 05/20/12
  • Shane Suski
  • · Art · Beat-Play, LLC · concert · Events · Independent Music · Music · Music News · MWL LIVE Tour · New Music · Photography · San Diego

Yann Tiersen live at The Regency Ballroom in San Francisco, CA

Yann Tiersen-"Monuments"

Click the pic for more YANN TIERSEN concert shots!

 Photography By: Shane Suski |Ambassador of Photography | San Diego, CA| @shanewithmwl | Beat-Play and Music Without Labels, LLC

Best Coast’s New Sound [New Music]

  • 05/18/12
  • Jordan Prather
  • · Album Reviews · Beat-Play, LLC · Independent Labels · Independent Music · Los Angeles · Music · music industry · Music News · New Music · Photography · San Diego · Uncategorized

With a love of cats, reverb, and 60′s pop, Best Coast’s Bethany Cosentino was a girl after my own heart. But things have changed on their just released album, The Only Place. Hopefully she still loves cats, but the reverb-drenched sound is no more. This is something Bethany has been proudly touting in recent interviews. I was quite surprised to hear this, considering reverb-heavy pop is heavily associated with California and Best Coast’s signature sound. This isn’t to say that it’s non-existent on the album. Though all of the articles I’ve read on the topic claim there is no reverb on the album, this is untrue. While the surf-pop reverb-soaked sound is gone, it is by no means Johnny Cash dry.

This may seem like a simple transition to make for a musician, but I assure you it’s not. Those of us who record and play music, know that soaking a song, or certain instruments, in reverb, drastically changes the sound. It even allows for sloppy playing, or less than tight recordings, to appear perfectly fine. In Best Coast’s previous work, even with the heavy reverb, the songs could sometimes sound a bit sloppy. This is something I don’t often mind at all. I much prefer passion over technique. Unless it’s a baby banging on pots and pans or something. Even then if the baby appears to be immersed in his/her horrific sounds, I might find some enjoyment in it, but I digress. The point is that Best Coast’s sound is very different than it was before.

I didn’t realize how close to straight-up pop Best Coast really was until they took the reverb away. This isn’t an insult; the lyrics are much more interesting than the usual “Why don’t you love me, I love you,” bullshit. It’s the melodies the songs are built on that remind me of Brendan Benson’s music and some 60′s pop. It’s funny that simply ditching an effect that all the cool bands are currently overusing would have such an impact. I almost feel stupid for not hearing what the music actually was earlier. On a side note, I wonder what Cults would sound like without reverb? Let’s hope we never know.

 Written By: Jordan Prather | Ambassador of Tucson | Jordan Prather | Beat-Play & Music Without Labels, LLC

Wintersleep Releases New Singles “Resuscitate” and “In Came The Flood” in Preparation for “Hello Hum” Record [NEW MUSIC]

  • 05/18/12
  • Steve Harpine
  • · Album Reviews · Art · Beat-Play, LLC · Independent Music · Music · music industry · Music News · Nashville · New Music · Top Posts · Video

I believe that this is one of the best times in the history of the music industry to release music.  Not only can you record an album on a slim budget, but there exists this extraordinary digital landscape in which you can distribute it.  This also opens up incredible opportunities for music listeners.  One of the greatest facets of this age, in my opinion, is the ability to discover music from around the world in an instant.  That is exactly how I’m able to listen to music from Wintersleep, a Canadian rock band that formed over a decade ago in Halifax, Nova Scotia.  Well, I may have heard them first on the radio, but we can’t rely too much on the radio for our personal tastes.  Take a listen to their incredible new single, “Resuscitate.”

Hello Hum is scheduled to be released on June 12, 2012.  That’s only a few weeks away!  However, I thought it would be somewhat considerate to let you in on all the fun before it really kicks into gear.  Wintersleep is composed of Loel Campbell (drums, guitar), Paul Murphy (guitar, vocals), Tim D’eon (guitar, keyboards), Mike Bigelow (bass guitar), and Jon Samuel (keyboards, backing vocals, guitar).  Hello Hum will be their fifth studio album, and a much anticipated release after New Inheritors (2010).  They have already received a Juno award for Group of the Year, which may have caught the attention of Paul McCartney, who selected Wintersleep as one of the opening acts for his concert at Halifax Common in July 2009.  The attention they’ve gained in the US has grown rapidly in the last year, especially after the band performed “Weighty Ghost” on Late Show with David Letterman in January 2011.  Check out the official music video for the song, which received a Much Music Video Award in 2008.


I think the band has really kicked it up a notch with their new singles, which seem to be much heavier than their previous music.  Their sound and energy on “Resuscitate” and “In Came The Flood” is awesome.  You’ll hear a wealth of production in the areas of guitar tone, percussion, sequences, electronics, and more.  A recent press release from Wintersleep explained that the album was recorded in summer 2011 with returning producer Tony Doogan (Belle and Sebastian, Mogwai) and Dave Fridmann (the Flaming Lips, MGMT, Weezer) at Tarbox Road Studios in Cassadaga, NY.  They say that Hello Hum contains new music in which ”glowing melodies are backed by rhythms that can stand as the skeletons of songs or be studied for their subtle complexities. Guitars and keyboards weave together in fits of sonic weirdness that somehow shine with pop charm.”  See if you can hear what they’re describing in the other single they released, titled “In Came The Flood.”

Are you getting the same feeling?  This album is going to be huge, so make sure you remember to come back and get your copy when it drops on June 12, 2012.  Seriously, don’t forget and remember to listen to more music!

By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play & Music Without Labels, LLC

MewithoutYou Releases “Ten Stories” Album Independently [NEW MUSIC/VIDEO]

  • 05/17/12
  • Steve Harpine
  • · Album Reviews · Art · Beat-Play, LLC · Independent Music · Music · music industry · Music News · Nashville · New Music · Philadelphia · Uncategorized · Video

MewithoutYou would give you directions to the closest independent store if they knew you would go buy their album there, so it’s a bit ironic that I found out about Ten Stories while looking for new music on a popular streaming service (which shall not be mentioned).  Yes, I do struggle with the fact since I’m working in the seemingly care-free industry, but hey, now their music will be shared with everyone that reads this article.  However, I think mewithoutYou would rather have people listen to their music through any means, than not hear it at all.  Now is the most important time, as Ten Stories has been crowned the rightful follow-up to their 2006 release, Brother/Sister, and 2004’s Catch for Us the Foxes.  The difference between their past albums and Ten Stories is that this one was released independently.  See how it came together and hear their thoughts on the new record by checking out their official EPK.


It seems to be a common theme these days; bands choosing to leave record labels, instead of resigning with them.  It’s almost a bit disastrous for some of these companies, but I believe that it’s shaping music into what it was before… true art.  MewithoutYou’s latest project, which was just released May 15, 2012, allows the listener to experience so much more than 11 songs.  Ten Stories can be purchased as a deluxe box set that includes over a dozen original paintings, custom sleeves, etchings, and bonus songs.  Even if a fan decides to purchase a digital download, it’s hard to avoid the intricate detail in the album art.  The band has been creating significant albums like this since they started over a decade ago, but their creativity now is better than ever.  Just listen to vocalist Aaron Weiss describe the inspiration for the lyrics of the album, and you’ll see why.

“They’re not quite children’s songs,” vocalist Aaron Weiss explains, “with not quite coherent storylines, but there is an overarching and kind of child-like narrative: a circus train crashes in 19th century Montana. Some animals escape, others stay in their cages. The traveling menagerie re-rails, stays its course, and struggles to fill in the missing attractions. Meanwhile, freed from institutionalized life, the rice-cake rabbit takes to a peripatetic fortune teller, the monastic walrus is tempted by a hedonistic owl, a fish falls for an eggplant. Other songs describe a contemplative Fox’s prophetic dream, a starving Bear’s vision of a martyred saint, and an indecisive Peacock & gnostic Tiger learning the virtues of megalomania from an ego-annihilated Potter Wasp.”

Mind blown.  When you hear his “manic, unorthodox hollering” combined with the intricacies of these stories over the band’s solid groove and extraordinary sense of melody, you’ll get it.  Ten Stories has even been dubbed “the best Hayley Williams (of Paramore)-approved circus-train concept album.”  Have a listen to the first track on the record, “February, 1878.”

If you like what you hear, find out more about how you can get Ten Stories by visiting their website at mewithoutyou.com, or click on the incredible album art below.  Support these guys, enjoy this record, and remember to listen to more music!

By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play & Music Without Labels, LLC

Plants and Animals “The End Of That”

  • 05/16/12
  • Steve Rippin
  • · Album Reviews · Beat-Play, LLC · concert · Events · Independent Film · Independent Labels · Independent Music · Los Angeles · Music · Music Help · music industry · Music News · New Music · News · Uncategorized · Video

Writing for this music blog is a blessing.  Often people send me links and press releases for new bands and new music in hopes of some good ole fashion publicity.  I welcome it.  I’m pretty intrigued by bands creative processes and I rarely write a negative review simply because the music I like and listen to has been slaved over by the artists that have created it.  This brings me to this weeks blog.  While sifting through the ever growing list of submissions on top of bands I like on my own I stumbled upon a band called Plants and Animals and in hopes of not being corny, that was the end of that.

02 The End of That


Ok I’ll get this out of the way.  The similarities are undeniable.  Tom Petty.  I hear a little bit of Tom Petty when I listen to these tunes.  I absolutely hate making comparisons like that, but in this instance a. there’s no denying it (i ran it by a bunch of my friends) and b. if I were going to be compared to any one I would want it to be Tom Petty too.  O.k. now that’s over.

07 HC

First impressions and vocals aside what caught my ear in the first place was the guitars on this record.  The grit/ dirty ‘southern’ drawl on songs like “Runaways” and “Why and Why” which has since become my favorite tune on this record provides a cool vibe. A Canadian rock outfit from Montreal Plants and Animals is a three piece band.  Singers Warren Spicer, Nic Basque, and Matthew Woody are a musical threat each playing guitar, bass and keys, and drums respectively.  Having released their initial EP in 2004 the band is road weary and and with Juno award nominations under their belt they are not shy of accolades.  With their most recent release “The End Of That” on shelves now they are touring the US with their self proclaimed “indie- post classic rock”.  That 1960′s-70′s Laurel Canyon folk rock and roll vibe blends well with the modern indie rock sounds on songs like “LIghtshow”.

04 Lightshow


I’m on my third listen all the way through and I’m pretty much loving this.  Every song seems to bleed well into the next.  It’s a very coherent record.  When I get to the end of the record I hit a tune called “No Way”.  Every song up to that point featured the guitar work which, as i said, stood out to me in the first place.  Then all of a sudden ten songs deep I hear this tune kick off with clean, bold, full grand piano.  What?  Needless to say I was surprised.  It’s a cool song and a good way to end the record.

10 No Idea

11 Runaways

Plants and Animals is making its way to LA this weekend!!!  (Imaging the bells and sirens of a great opportunity going off in your head).  Tickets are a steal at 12 bucks.  It’s going to sell out at the door so make sure you buy your tickets now and get there early, we’ll make room.  They have kindly invited me to join them so I will hopefully be there to review the live show and here these awesome new songs live and in person.  Saturday night they take over the Satellite in Silver Lake and I’m expecting everyone who reads this blog to come out and support.  HERE is the link to the venue website and HERE is the link to Plants and Animals upcoming tour dates.  There are a bunch of really cool bands supporting this weekend and the show goes really late so make a night of it, bring a DD and lets get elegantly wasted together. See you there!!

By: Steve Rippin | Beat-Play Ambassador Los Angeles | @stevewithMWL|Music Without Labels & Beat-Play, LLC

Beach House Release “Bloom” – May 15, 2012 [NEW MUSIC]

  • 05/16/12
  • Steve Harpine
  • · Album Reviews · Art · Beat-Play, LLC · Independent Labels · Independent Music · Music · music industry · Music News · Nashville · New Music · Video

Beach House is a band I listened to a couple years ago soon after the release of their third album, Teen Dream.  There were some great songs on that record, and the album received great reviews from artsy music blogs around the country.  While I might not get as deep or describe the album as thoroughly, it gives me great pleasure to announce that the band has just released a brand new record, titled Bloom.  I’ll leave it up to you to get what you want from it, so let’s get right to it.  Here’s the first track on the album, “Myth.”

If you have listened to Beach house before, you can already tell that they’ve stuck with their dream pop sound that has made them distinguishable from their contemporaries.  Bloom is a continuation of what the band has been doing through the years, but embellishes the vibe created by past albums.  The new record is more of a family of songs that belong together, rather than a collection of tracks that happened to be recorded in the same period of time.  It has been eight years since the band formed in Baltimore, Maryland, and they’ve stayed committed to the cause with a strong fourth full-length studio album.  Beach House is composed of Victoria Legrand and Alex Scally.  The duo have always decided to keep it simple, playing live and recording by sticking with their setup of organ, programmed drums, and slide guitar.  Scally believes that their simplicity has allowed them to maintain a good creative process:  ”One of the reasons this has been such a fulfilling experience for me is that with two people, it’s so much easier to achieve things that feel exciting and new.”  Check out the official music video from on of my favorite Beach House songs, titled “Zebra.”


Their spirit of simplicity translates to their online presence as well, as you can begin to see from the video.  Even the Beach House website maintains a minimalist approach to the internet, which is extremely rare and unique in today’s industry.  Although it all might seem bland to most, this is what has always worked for them, and they’ve been able to keep the focus on the music.  There are no fancy marketing ploys and no eye-catching merchandise items.  They treat their music like art, and that’s where the focus remains.  Pretty cool.  Here’s another track from their new album called “Lazuli.”


Beach House has always been somewhat of an ironic name for the duo, as many of their songs don’t necessarily put you on the beach below the palm trees.  On the other hand, it has been extremely fitting.  Bloom echoes the sound that many have come to love, and it’s perfect.  If you like what you’ve hear from the album so far, go get it by clicking on the album art below.  As always, listen to more music!

 By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play & Music Without Labels, LLC

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