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St. Vincent – “Cruel” [VIDEO]

  • 12/31/11
  • lizwithmwl
  • · Uncategorized

st vincent

Strange Mercy, the beguiling new album from St. Vincent is an unsparing examination of personal catharsis cloaked in some of the most sublime music of Annie Clark’s career.  “Many of the songs are about wanting relief from pain, and searching high and low for release,” attests Clark. Such powerful emotions prompted — demanded, really — not just a bracingly candid lyrical style but a new musical approach. St. Vincent’s acclaimed 2007 debut album Marry Me was created almost entirely on a laptop; the exquisite follow-up, 2009′s Actor, was a collection of arrangements fashioned into ornately structured songs.

st vincent

Strange Mercy, she says, is different. “I just wrote the songs first and didn’t worry about the embellishments. On the last album, I could play about three songs by myself on guitar. On this album, I can play every song that way.” Strange Mercy features very little of the baroque strings, woodwinds, and reeds that marked Actor, and the grooves are sturdy, deep and beguiling. “I wanted to make things direct and immediate,” Clark says. “I didn’t tinker. I tried to keep the arrangements pretty simple and use just enough instrumentation to get the point across. I didn’t want anything to get in the way.” Consequently, it’s a much more guitar-oriented album than Clark has ever made.  My favorite song “Cruel” on this album exemplifies this.  For the video St. Vincent teamed with Terri Timely to create a video filled with dark comedy.

The directing team Terri Timely (aka Ian Kibbey and Corey Creasey) has a good streak going with St. Vincent, their three collaborative clips: “Actor Out of Work”, “Marrow”, and their newest and best video, “Cruel”. Kibbey and Creasey’s manicured, creepy, and deadpan style is a perfect fit for Clark’s studiously composed yet off-kilter music, where danger always seems to lurk just beyond the next spazzy guitar solo. “Cruel” is a comedy of horrors in which Clark is kidnapped by a mom-starved family, who proceed to torment the singer before sending her to an early grave.


By: Elizabeth Stene | Beat-Play Ambassador South Africa | @LizMWL | Music Without Labels & Beat-Play, LLC

Panda Bear – “You Can Count On Me” [VIDEO] [NEW MUSIC]

  • 12/31/11
  • lizwithmwl
  • · Independent Music · Music · Video

panda bear_tomboy

Panda Bear, the solo project of Animal Collective’s Noah Lennox, released a new video by  prolific video artist Danny Perez. Lennox tapped the trusted Animal Collective favorite Dan

The Roots “Undun” – Philadelphia, PA [NEW MUSIC]

  • 12/31/11
  • Steve Harpine
  • · Album Reviews · Art · Beat-Play, LLC · Music · music industry · Music News · New Music · Philadelphia · Uncategorized · Video

I’d like to end the year on good note.  While I absolutely loved Alex Clare and his debut album, The Lateness of the Hour, I also really dig the latest album from The Roots, Undun.  This is their thirteenth album and it released on December 6, 2011.  The album tells a story about their semi-fictional character, Redford Stephens (inspired by Sufjan Stevens’ “Redford”), and his struggle to survive in an urban landscape.  He has choices to make that lead to living off fast money and crime or making something of himself.  I won’t tell you what he choses because I think you’ll figure it out by listening to the album.  Undun is great because the lyrics tell a story and relate between songs, but they serve an even higher purpose.  The album is created of the sake of art and music, not releasing ear candy and monotonous beats, although the album sounds brilliant.  The album features artists Aaron Livingston, Big K.R.I.T., Phonte, Dice Raw, P.O.R.N., Truck North, Bilal, and Sufjan Stevens.   The first single “Make My” leaked on October 17, 2011.  It’s one of four songs included in The Roots’ Undun short film, below.


The Roots teamed up with director Clifton Bell to create this mini-movie for their concept album.  ”Bell uses tracks “Tip the Scale,” “Stomp,” “Make My” and “Sleep” to narrate Stevens’ enigmatic predicament; in some ways he’s a victim, in others, a perpetrator.  By the end, you’re not really sure who’s shot and who did the shooting, but I think that’s the point.  Under a black hoodie, he is faceless, impossible to identify and inevitably a statistic.” (Kiran Samuel)  The film is a great promo for the album, and visualizes the struggle that takes place with the character featured in the lyrics.

Growing up just north of Philadelphia, The Roots have always been a familiar band.  Well known for taking a jazzy, musical approach to hip-hop, the band has been doing their thing for over 24 years now, and they still have it.  They won three Grammy Awards and two NAACP awards in 2011.  Undun is the eleventh original studio album by The Roots, and I think it’s one of their best.  The album features some collaborations, straight up originals, and even ends with four beautiful instrumentals.  Beautiful instrumentals?  …on a hip-hop album? Yeah, that’s right.  These are significant to the album because they not only show the band’s creativity, but I think  capture the struggle that takes place in the mind of Redford.  Get the album here and listen to more music!  HAPPY NEW YEAR!

By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play & Music Without Labels, LLC

Panda Bear – “You Can Count On Me” [VIDEO] [NEW MUSIC]

  • 12/31/11
  • lizwithmwl
  • · Uncategorized

panda bear_tomboy

Panda Bear, the solo project of Animal Collective’s Noah Lennox, released a new video by  prolific video artist Danny Perez. Lennox tapped the trusted Animal Collective favorite Danny Perez to design the dizzying accompaniment for the track. Expectations were high after Perez and Animal Collective’s collaborative Guggenheim installation project last year.

The psychedelic vignette begins with a cloudy, over-saturated galactal scene, followed by a sequence of kaleidoscopic tableaus, reminding even the philistines among us of color and texture’s ability to inspire and disturb. Lennox’s earnest, melodic chants and rhapsodic percussion provide the background. Challenging our retina agility (and epileptic threshold!), astronomical time lapses are quickly interrupted by saturated blotches and strings of colored lights that fold and bleed into one another, with colors and shapes reconfigured into different representations throughout. Visuals are intermittently backed by live-action clips of first a woman’s mouth, followed rather jarringly by that of a dog. Fittingly for a song titled “You Can Count on Me,” the video ends with a close up on man’s best friend.


If you like “You Can Count On Me” be sure to check out the entire album, Tomboy, Panda Bear’s fourth album to date.  Musically, the album was the least bleak, least difficult thing an Animal Collective member had recorded to that point. But the unembellished recording– you could almost hear the empty rooms in which it was recorded– only heightened the fragility of the songs. “I didn’t want to spend a lot of time producing it or thinking about how I wanted to get it to sound,” Lennox said in that same interview. “I just wanted to get it out quickly.” Tomboy is a much more considered record, with thickly layered psych-style production.

By: Elizabeth Stene | Beat-Play Ambassador South Africa | @LizMWL | Music Without Labels & Beat-Play, LLC

Alex Clare – “The Lateness of the Hour” – UK [NEW MUSIC]

  • 12/31/11
  • Steve Harpine
  • · Album Reviews · Art · Beat-Play, LLC · Independent Music · Music · music industry · Music News · Nashville · New Music · UK · Video

2011 has been an exciting year for music.  You could say that it’s the best time to be making music and creating records.  Why?  It has never been so easy to record, and distribution is as simple as uploading your music to the web.  It sounds elementary, but with the thousands of bands out there, few tend to put it together in a way that allows their music to stand out and be heard.  The downside?  Well, there’s just a lot of junk one must ignore to find the good stuff.  Alex Clare is one of those artists who was able to explode through the cracks this year.  He’s a British singer-songwriter and composer with a killer debut album and a lot of street cred. from his exemplary release.  The Lateness of the Hour was produced by Diplo & Switch (Major Lazer and M.I.A.’s Paper Plane), and it’s wild..


It’s almost crazy to think that a debut album from any artist can end up on the charts.  Well, remember how I said that this is the best time to be making music?  Well, when Clare created demos for his songs, they found their way to Island Records and he was offered a deal two weeks later.  Don’t we all wish it was that simple?  Even more amazing is how he got hooked up with producers Diplo and Switch.  “They understand what I want from the arrangements,” Alex says. “I love those heavy, sine-wave bass lines and they knew how to push them way beyond even my expectations.”  The album is quite diverse, featuring funk, jungle, punk rock, and dub step grooves and feels.  The Lateness of the Hour released in the UK on 11 July 2011.  The first single from the album was “Up All Night”, followed by “Too Close” and “Treading Water”.  Check out the official video for “Up All Night.”


 ”You may have heard the explosive west-coast punk-rock thrasher Up All Night (‘It’s about going on a bender!’) which pitches Clare’s songwriting skills up against very 21stcentury grimy drums and thick waves of bass, while Too Close (‘It’s about a friend I had of the opposite sex. It’s no longer a friendship…’) has a speaker-wrecking, wump-wump, dubstep bassline and hair-raising rave-anthem chords. It feels like a monstrous hit in the making…”  Both singles received a good bit of attention after their release, but the album is packed with so much more.  The songs were worked on and perfected for over a year, which meant that Alex had to put touring aside for awhile.  In the end, it was an excellent decision because the product is a true masterpiece.  Check out “Treading Water.”


 Alex agrees that music is largely about space and time, which is evident in his debut album.  “All you need in a song is the bass, the kick and the snare. The rest is just commentary….  There are so many sounds you can put on a song,” he says. But you just end up filling up space and music needs space. Listen to John Coltrane! It’s all about quality, not quantity.”  Could you get commentary better than that?!  I think not.  Alex Clare is one of the best artists of 2011, and The Lateness of the Hour is one of the top releases of the year in my opinion.  It combines creativity, musical excellence, great songs, and fantastic production.  You can hear his experiences and emotions on the album, but you can also hear the dirty synth lines and fitting wobbles.  Listen to The Lateness of the Hour in its entirety below!  Turn it up!!

By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play & Music Without Labels, LLC

Real Estate – “It’s Real” [VIDEO]

  • 12/31/11
  • lizwithmwl
  • · Independent Music · Music

Real Estate

Real Estate is an indie rock band hailing from Ridgewood, New Jersey, but currently resides in Brooklyn.  In October they released their second album, Days.  A coming of age moment for childhood friends Martin Courtney (Guitar and Vocals), Matt Mondanile (Guitar) and Alex Bleeker (Bass).  Days was recorded over the course of five patient months in a remote New Paltz, NY barn/studio with the help of Kevin McMahon.  A gorgeous suite of guitar-pop songs, Days is a testament to the fact that the sonic formula Real Estate developed and shared with their debut album (Real Estate, Woodsist 2009) heralded the arrival of a new, genuine and enduring group of voices in American independent music. Days sees the band tighten and refine their brand of timeless, melodic and genuine music- consolidating the breezy sketches of their earlier work into considered, graceful pop songs.  Cleaner, sharper, and just plain stronger, it’s like a single idea divided into simple statements– a suite of subtle variations on a theme.

Real Estate_Days

The songs are built around deceptively simple, cyclical riffs; caressed and performed with rhythm and restraint. The instruments swim together, anchored down by Bleeker’s firm bass, ebbing and flowing, occasionally enriched with flourishes of country piano, soft synths and slide guitar. Several songs, like the album’s first single “It’s Real” were written by Courtney in the way he wrote some of his first songs, laying out their architecture first on a bass rather than a guitar, allowing him to evolve the song’s basic melody.

If you like Real Estate’s music and adorable dogs you will also love the video for “It’s Real”, produced by Weird Days and features the band playing with a scruffy dog — watching TV and running around a sunlit meadow.  The video maintains the cheery, upbeat attitude of the song and even features some of the dogs in bowties.  Watching it is a great way to start your Saturday.


By: Elizabeth Stene | Beat-Play Ambassador South Africa | @LizMWL | Music Without Labels & Beat-Play, LLC

EMA – Past Life Martyred Saints [NEW MUSIC]

  • 12/31/11
  • Shayne Byrne
  • · Independent Music · Music · New Music · Uncategorized · Video

File:Erika M. Anderson at Berghain Berlin (May 2011).jpg

Erika M. Anderson (EMA) is a singer/songwriter from South Dakota. She was originally in Drone Folk band Gowns, and she went solo in 2011 releasing her debut album Past Life Martyred Saints, which received positive reviews on Pitchfork, Drowned in Sound  and the NME. After releasing her debut album EMA was named “New Band of the Day” by the Guardian newspaper and the “Artist To Watch” by Rolling Stone Magazine. In 2011 she performed “Endless, Nameless” for SPIN’s 20th anniversary tribute to Nirvana’s album Nevermind.


 


After Gowns disbanded, Anderson began putting songs together for a solo project. She took many attempts to meet with record labels about the possibility of recording an extended play, but received few responses, leading her into a depression. However, before she decided to return from West Oakland to her parents’ basement in South Dakota, she received a contract offer from indie label Souterrain Transmissions to release a solo album.



Most of the songs from the record were conceived prior to the dissolving of Gowns. The songs “Marked” and “Butterfly Knife” were written while Gowns was still touring and were thus the first to be completed for the album. While Buchla was touring with The Mae Shi, Anderson taught herself how to use Pro Tools to record music. She recalled being in a “hallucinatory state” when writing “Marked” and completed the recording for it in a single take. Her Nordic ancestry inspired the creation of “Grey Ship“, and the last song she recorded for the record was “Redstar“, which featured vocals from her sister. Buchla sent Anderson an email following their break-up, encouraging her to release any material she had created. The title of the record was derived from Anderson’s ex-boyfriend’s brother, who jokingly held a belief that he was a martyred saint in a past life.

EMA – California (Official Video) from Souterrain Transmissions on Vimeo.

For all thing EMA head over to http://cameouttanowhere.com/

By: Shayne Byrne | Beat-Play Ambassador Ireland | @shaynewithMWL | Music Without Labels & Beat-Play, LLC

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