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The Presidents Of The United States Of America [CONCERT REVIEW]

  • 05/24/13
  • Steve Rippin
  • · concert · Events · Independent Labels · Independent Music · Los Angeles · music industry · Music News · New Music · Video

I was in 5th grade when I was handed the President’s of the United States of America CD.  It was the first rock and roll CD I have ever owned.  I was 10 years old in 1996.  The record had been out for a year and I had no idea what the hell it was, I didn’t get it, but I loved it.  I loved all of it.  Kitty, Lump, Peaches, Bol Weevil, Dune Buggy, Kick Out The Jams, Naked and Famous to name a few are the songs the guided me toward a life of loving music.  For the first time since 1996 I fulfilled a life long goal of seeing this awesome band live on stage at the House Of Blues in LA.  The tour was called “The Self Titled Tour” and “POTUSA Plays the Good One”.  They played my first rock and roll record… in its entirety.


‘Fuck you kitty you’re gonna spend the night’?  WHAT?  My virgin ears!  I had never heard anything so awesome in my entire, albeit, short life.  What a start! At last nights concert after playing some awesome choice cuts as ‘Mach 5′, ‘Tiki God’, ‘Volcano’, and ‘Love Everybody’ the band conveniently realized they had not played anything from their debut record.  To quote the man himself, Chris Ballew said, “To make up for it.  We’re going to play the whole thing.  Right now.”  As the expecting crowd lost their minds despite already knowing the evenings plan they ripped into ‘Kitty’ with the same energy as if it were 1996 all over again.


A true Seattle garage rock band in the 90′s the President’s represent the 90′s so perfectly.  They play instruments the way they aren’t suppose to be played and they just have fun and sing about whatever they want.  Chris’ bass only has two strings and Dave’s guitar only had 3 and yet they we’re able to make a big splash for being “just a little band”.  In 2004 Dave Dederer left the band to spend more time with his family and the current line up carried on adding Andrew McKeag on guitar.  Original members Chris Ballew and Jason Finn are still in tact and they sound as tight as you can be.


This year marks the 20th anniversary of The President’s Of The United States Of America as a band.  They have toured off and on and released 5 studio albums and continue to create new music.  Longevity in this music world baffles me.  20 years is just short of my life time.  After seeing the guys last night I knew exactly why there still here.  They were well rehearsed, tight, energetic and had smiles on their faces the whole night.  They obviously love what the do and I think they also love that the crowd knew every single word to every song on their debut release.  It being an LA show there are usually no shortage in surprises.  When the band ripped into “Kick Out The Jams” they were joined on stage by the original and founding guitarist Dave Dederer.  Seeing the original lineup pretty much blew my mind and on one of the best songs on the record made the night for me.  I’m sure many members of the nearly sold out crowd left with their faces melted.  They played it all even pausing during “We Are Not Going To Make It” just as they did on the record, it was perfect.


The President’s are important to rock and roll for two reasons.  They wrote the songs they wanted to write.  Performed them the way they wanted to play and didn’t care what anyone thought.  In my mind they were a seminal band of the 90′s.  As we see a resurgence in 90′s nostalgia I hope they keep touring and keep putting out albums.  I for one will be the first in line to buy them and I won’t miss another show.

Please find everything you need to know about the Presidents HERE.  They still have a bunch of shows left on this current “Self Titled Tour”.  This band means a lot to me and when my 90′s band plays thier songs at bars I see people’s faces light up just as mine did last night.  Nostalgia is awesome. Naked and Famous, an LA song rounded out the set.  Perfect ending to an awesome show.


By: Steve Rippin | Beat-Play Ambassador Los Angeles | @stevewithMWL|Music Without Labels & Beat-Play, LLC

The Joy of Painting Release “Tender Age” in Nashville, TN [NEW MUSIC]

  • 05/24/13
  • Steve Harpine
  • · Album Reviews · Art · Beat-Play, LLC · Independent Labels · Independent Music · Music · Music News · Nashville · New Music

This week marks the release of some great albums from artists that you’ve probably heard of: Daft Punk, 30 Seconds to Mars, and The National to name a few.  Nonetheless, let’s not forget about the up and coming local talent.  In Nashville, there are many albums released each week, so how do you stand out in the mix?  Well, you do what The Joy of Painting have been doing over the past couple years; play shows, write, record, share, grab coffee, repeat.  In a world so full of media and entertainment, the common theme is that it’s not easy to truly stand out unless you get lucky or have a million dollars.  The truth is, you can still do things the old fashioned way, write and record good songs, and work hard to get noticed.  The Joy of Painting have stayed committed as a band, and now with a fresh album out this week, “the future was wide open.” (..because who doesn’t love a little Tom Petty?).

Tender Age is the latest bombshell of a project from Nashville’s rising garage pop experts.  The Joy of Painting consists of Garreth Spinn, Mark Bullock, Chris Hauser, Kyle McCormick, and Josh Nelson.  The album was released May 21, 2013 and features 7 new original songs.  You can play all of them in the player above, but we’ve also featured the first three on the top left of the page in our discography section.  We want you to do your own listening, but pay attention to the theme here, which is summarized in the title.  Tender Age describes the age your early to mid-20s where you become vulnerable in a world so quick to tear us down for not following the social expectations.  The truth is, it’s okay to not know exactly what you’re doing, and that’s what a lot of these songs are about.  However, let’s not forget that girls may play a role here as well.  On the recording side, the band tracked the entire record in house; literally, in their house.  Bassist Mark Bullock engineered and the band received mixing help from Cord Phillips.  You can purchase Tender Age through Amazon on the left panel or click on the album art at the top.  Also, if you missed it, don’t forget to check out last month’s article on their first single, “Dontchu Wanna,” by clicking here.

By Steve Harpine | Nashville Ambassador | @Steve_MWL | Beat-Play & Music Without Labels, LLC

Vampire Weekend “Modern Vampires Of The City” [ALBUM REVIEW]

  • 05/22/13
  • Steve Rippin
  • · Album Reviews · Beat-Play, LLC · Chicago · Events · Independent Music · Los Angeles · Music · music industry · Music News · New Music · News · Uncategorized

 

It’s been a week since indie darlings Vampire Weekend released their highly acclaimed third studio record called “Modern Vampires Of The City.”  Everyone and their mum has had a chance to dig in deep and since they have been playing a bunch of shows in NY, LA and Boston people have had a chance to hear these new songs live.  Just incase you get confused by my jibber jab in what I hope doesn’t turn into a slanted diatribe I will say this:  The is the best Vampire Weekend record yet.


Is it too similar to Contra and their self titled first release?  Is it true to the music they have based their careers on?  This record is the definition of balance and reinvention without losing the direction of the band and abandoning why people like them in the first place.  This record is important for 2 reasons.  One is that it’s the third record and they managed to release something that sounds so specifically like them with genre defining rhythms and catchy hooks and smart song writing.  The second reason is it takes the Vampire Weekend sound to the next level.  Lots of vocal effects and a reveal of the quieter side of the band.  The album opener “Obvious Bicycle” is not an obvious album opener at all.  It’s slow and plain.  The Ezra’s voice and the harmonies are still the driving force and the delicate nature of the song is the perfect setup for what’s to come.


The second track is called ‘Unbelievers’.  Hands down without a doubt this song is my favorite new Vampire Weekend song.  Lyrics are great.  Melody is great.  Drums and bass are great.  This is what I have come to expect from Vampire Weekend.  Their consistency in live performance and on their live albums is unmatched at this point.  They haven’t really played shows in about two years, but they have the poise and confidence of a band that has played everyday for the last decade.  The confidence comes through in the performances I have been posting but also through the music.  As I move through the album I didn’t find one weak track.  I had questions of how they are planning on playing some of the songs live because of all of the effects, but they put all my concerns to ease when I recently saw them in Pomona, CA between Coachella sets where they played a flawless version of the single, ‘Diane Young’.


‘Diane Young’ comes in close as my my second favorite tune on the album.  I know I said this before so I’ll be brief, but this is a definitive Vampire Weekend Song.  Dancy and poppy with screaming guitars and a great back beat.  The show I saw in Pomona was at a relatively small theater in a small town just outside of LA.  The sold out crowd came to party and so did the band.  They ripped through the hits (A-Punk, Cousins) and peppered the set with the rest of the best.  The hour and thirty minute show proved that Vampire Weekend is back in a big way.  Their tour will continue for about the next year or so and having already stopped into Coachella and SNL with more to come at Sasquatch, Firefly, Glastonbury, Lollapalloza, Outside Lands and The Hollywood Bowl.  I think it’s safe to say they are going to be exhausted.


I’ve seen Vampire Weekend about 4 times now.  I go to see them for one reason and one reason only, consistency.  They play it all and bring the sheer energy necessary to make it big in the industry today and keep getting bigger.  I would point you in a direction to buy the new album “Modern Vampires Of The City” but we both know you already have it.


By: Steve Rippin | Beat-Play Ambassador Los Angeles | @stevewithMWL|Music Without Labels & Beat-Play, LLC

Guards “In Guards We Trust” [NEW MUSIC]

  • 05/20/13
  • Steve Rippin
  • · Album Reviews · Beat-Play, LLC · concert · Europe · Independent Labels · Independent Music · Los Angeles · music industry · Music News · New York · Uncategorized

Is it summer yet?  I’m getting amped up for concerts and drinking out side.  I’m also getting amped for today’s band of the hour.  Guards.  I’ve been listening to this record for a few weeks now.  Its easy going rock and roll, just in time for Summer.

With this new release I think we are going to be seeing a lot of Guards for a while.  It’s exciting to hear new music like this.  Yes, it’s a reinvention, but the sounds are original and I really like the vocal arrangements.  I’m not sure if everyone who formed a band in the last three years made it a rule to have a female so-lead singer but it’s working for me.

Founded in 2012 Guards consists of Richie James Follin, Loren Humphrey & Kaylie Church.  Their most recent “In Guards We Trust” is loud, catchy and easily on of my favorite releases of the last few months.  Since February the band has been touring heavily.  They are currently in Europe making their way through the festival circuit and then toward the end of the Summer they’ll make their way state side to tour with Best Coast, Alt-J and Portugal, The Man.  The tour wraps up with two massive shows at Lollapalooza in Chicago and FYF Fest here in LA.

Founded in 2012 Guards consists of Richie James Follin, Loren Humphrey & Kaylie Church.  Their most recent “In Guards We Trust” is loud, catchy and easily on of my favorite releases of the last few months.  Since February the band has been touring heavily.  They are currently in Europe making their way through the festival circuit and then toward the end of the Summer they’ll make their way state side to tour with Best Coast, Alt-J and Portugal, The Man.  The tour wraps up with two massive shows at Lollapalooza in Chicago and FYF Fest here in LA.  They are hitting nearly every major market and the fact that they are playing with other awesome bands all summer you don’t really have an excuse to miss this tour.  TOUR DATES HERE!

Guards – Taxi Cab (Vampire Weekend Cover)

By: Steve Rippin | Beat-Play Ambassador Los Angeles | @stevewithMWL|Music Without Labels & Beat-Play, LLC

You, Me And Everyone We Know – “I Wish More People Gave A Shit” [NEW MUSIC] [VIDEO]

  • 05/17/13
  • Chris Cullari
  • · Independent Music · Music · Music News · New Music · Video

Usually when someone says they’re just tellin’ it like it is, something terribly ugly is about come flying out of that person’s mouth.  It’s the phrase a crusty relative drops right around the part where she explains she isn’t racist, but… or your hoodrat brother uses when he says he respects women, except…

These folks tend to have a couple things in common, not the least of which is thinking they’re being brave by pointing out “what we all know.”  They’re wrong, of course.  It’s not brave to rage against the machine by being an ignorant dick because a) it’s hurtful, and b) it never requires any self-examination.  It points a finger outward and thrusts blame into the world.  It assumes – expects, really – that things are the way they are because everyone else is a certain way.

The brave thing is to point the finger at oneself and shout to the world that I am broken, I am lazy, I am a coward, but who has the balls to do that?

You, Me, And Everyone We Know, for one.

On the new four-track EP I Wish More People Gave A Shit, singer/songwriter Ben Liebsch deftly folds his message into a catchy, shout-along bottle and tosses it into rough seas.  He chronicles the hypocrisy our culture has embraced as a way of life and digs deep into how both he and the listener contribute to the chaos.  It’s a brutally honest piece of work; one that I think has the potential to be a touchstone in the genre.  Think The Wonder Years if that goddamn fountain had never turned on and they were left with much bigger fish to fry.

Of course, the pop-rock form is equally as important as the function here.  Sugar helps the castor oil go down, and it’s impossible to dismiss the EPs careening guitars, or the way they cling to the back of lumbering bass lines on opener “I’d Contribute More Dead.”


It’s equally hard to suppress the urge to sing along with the pop-punk-in-a-pub canter of “A Big Mistake”:

And it’s highly likely that you’ll find yourself parsing Liebsch’s lyrics through his wail on “Better Men,” only to realize you’re rocking out to a song about every man’s responsibility to curb the disgusting creep of rape culture:

The album ends on a short acoustic note; the whimper as the world crumbles:

It’s not an explicitly political record or as militaristic as ’80s hardcore, but it defines the edges of a world view with razor sharp aplomb and broken glass grit.  It doesn’t preclude all hope, but it doesn’t revel in it either.  Liebsch seems determined to go down with us, playing as furiously as the orchestra on the Titanic - even if global warming has made sure there aren’t any icebergs left to hit.

Fact is, living and breathing in the first world means someone else, somewhere else is suffering for it.  It means we’re exposed to, influenced by, and living in the shadow of institutions that default to racism, homophobia and misogyny.  At this point, it’s almost impossible to drop far enough off the grid to remove oneself from the equation completely.  Even Bigfoot’s got a carbon footprint.

So what’s the answer?  It’s right there in the title: give a shit.  Be aware.  Make choices that account for the fact that you aren’t the center of the universe.  And by all means, throw this record on, catch the band on tour, and dance/mosh/sing your brains out.  I call it “misanthropop,” you might just call it “great.”

Chris Cullari | Beat-Play Ambassador Los Angeles |@Chris_Cullari | Music Without Labels & Beat-Play, LLC |

Pyyramids at Barpink in San Diego, CA [Review] [Photos] [Interview]

  • 05/15/13
  • LaurenWithMWL
  • · Beat-Play, LLC · concert · Interviews · Music · New Music · San Diego

It was short. But boy was it sweet.

No truer words can be used to describe Pyyramids at Barpink in San Diego. This upcoming band was created by two people definitely not new to the music industry. Drea Smith, one half of the indie band He Say She Say, and Tim Nordwind, bassist for the grammy award winning band OK Go, came together to try a new project. And I love it. From two different artists comes a psychedelic sound influenced by bands such as Joy Division and The Pixies.


Check out more photos!

I was fortunate enough to be able to sit down with Tim and Drea and talk to them about forming the band, their recent tour and even frozen yogurt. Check it out HERE!

Their live show was good, but unfortunately they seemed like big fish in a little pond. 5 people crammed on a little stage that really doesn’t let them explore space. Drea’s vocals were solid, crooning with emotion. Tim has a presence on stage that just commands attention. (Maybe its the beard…) Unfortunately, I didn’t get the names of everyone else in the band, but they sounded so solid, that the bar’s less than perfect acoustics didn’t hold them back. When the show started there may have been only a handful of people in the bar, but at the end of the set, the numbers shot through the roof. People walking by who could hear the band took notice, and decided to come inside to check them out.

Check out their website!

With this kind of reception, one can only expect great things. They may not be a familiar name yet, but they’re getting noticed. We’ll see how their obscurity changes after their performance on the Tonight Show with Jay Leno (TONIGHT!!! 5/15)

Lauren Wilson | Ambassador of San Diego, CA | Follow Me on Twitter | Other Music Photos | Beat-Play & Music Without Labels, LLC

Absinthe Junk Video Release at 12th & Porter, Nashville, TN [Photos] [Video]

  • 05/15/13
  • JennywithMWL
  • · Art · Beat-Play, LLC · concert · Independent Labels · Independent Music · Music · Music News · Nashville · New Music · News · Photography · Video

Absinthe Junk Video Release at 12th & Porter, Nashville, TN


CLICK ON THE PIC FOR MORE CONCERT PHOTOS!

Check out Absinthe Junk’s new album, Death in the Afternoon, available on vinyl!

Photography By: Jenny Jem George | Ambassador of Nashville, TN | @JennyJemGeorge | Shutterbuzz Photos | Beat-Play & Music Without Labels, LLC

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